| Title | Subpages | Description | Date | Status | Notes |
|---|---|---|---|---|---|
Twice as Forever |
2013 | collaborative submission to Yule Log 2.0 with Keetra Dean Dixon |
It Takes Me a Long Time to Say Nothing |
Lots & lots of dots in spots | 2009–2015 |
Tantamounts |
Mountains computationally reconfigured to a flat horizon. | 2008– | more tk |
Jumper Bumpers |
Intro bumpers for Cranbrook 2D Design students | 2006 |
Echoes |
By switching a typical mousepad with a sheet of paper, I am able to collect an echo of my computer use over the course of a few months. The resulting drawing embodies the filth one accumulates through prolonged use of technology. |
2005– |
BoxBots |
Robots made by altering product packaging. Originally stole the idea from eboy, but after 313 of these, I guess you could say it’s taken on a life of its own. |
1999– | Ongoing & Accepting |
The Adaption to My Generation(a daily photo project) |
JK Keller takes a self-portrait every day for 23+ years |
1998 Oct 01 – ‘til death do us part |
Yes, I am still taking a photo every day. Next video: 2023 ~Oct |
Assorted bits and bloops |
Stuff that kind of doesn’t deserve its own page, studies, and the like | various | ongoing |
I Wanna Be a Single Lady Too |
2015–2016 |
bASCIIats |
Resolution Dependents(SD to HD) |
2014–2015 | Green Screen Scenes |
Gleaning the Fifth Screen |
touching film interfaces | 2012 |
The Internet is a Series of Tube Socks |
2013 | leftovers |
Museum as Manufacturer |
2013 | collab with Keetra Dean Dixon |
iPhone Oil Paintings |
2012 |
Bear with me |
2012 | collaborative work with Keetra Dean Dixon fabricated during a sequence of performative sessions with the GlassLab of Corning Museum of Glass. |
I’ve Been LO0oOonging For You |
8=≈≃=≃⋍=≈≈⋍==⋍≃=≈D | 2012 | NSFW (no really) |
Realigning My Thoughts On Jasper Johns |
Season 10, Episode 19, ’Mom and Pop Art’ of The Simpsons is processed through vectorization, various alignments, & audio manipulations. | 2011 |
Selections |
⌘-a/crtl-a: Select all |
Untitled (Bursts) |
Generative Prints | 2011 |
Attempting to Draw a Straight Line on a Scanner |
2010 |
Binary’s Forth Fugue |
Iterating through movements and variations by branching of Fugue icons | 2011 | reworking the After Effects files... scripting | An exploration in the generative potential of found digital imagery. Using only the 122 icons labeled "arrow" from Yusuke Kamiyamane’s amazingly thorough Fugue Icons set, I was able to create a set of animations similar to L-system growth models. The directional path of the arrow attempts to find a forward progression in mounting uncertainty & indecisiveness, eventually bowing to the emergent cacophony of the powers of 2. The 2 movements and 9 variations take the viewer from a single looping path through a few of the 24 branching choices to the eventual climax of 67’108’864 possible end points (if my math is correct). In theory, from just 24 branching choices, it’s possible to create 7’060’738’412’025 different decision-branch animations (again, if I’m correct in my maths). |
Embrace the Amazing Mistake |
2010 | Available | collaborative commission for GOOD magazine with Keetra Dean Dixon |
Hand Harp |
2009? | for Google symphony? |
Quips |
A fan letter to the letter Q | 2009? | for PostTypography event |
Sound Poems to Siri |
2012–2014 | ha, this was going to be a bot too |
Fucking-Windows.com |
Repetitive juvenile behavior via HTML & CSS. | 2010 | still 👌 Fucking Windows 👈 |
Counting the Movies I’ve Seen |
2009 | 1–25 |
You trying to be Me trying to be You |
Two people’s profile silhouettes are computationally exchanged. | 2009 |
Reversals |
People’s profile silhouettes are computationally reversed. | 2009 |
VHS Box Characters |
2008? | for Tokion (I wish I were better at illustration) |
Songs About Rainbows |
Application that colored your OS X folders. | 2008 |
I’ve Been Thinking of You for a While |
2008–2017 | collab with Keetra Dean Dixon (generally) |
Miniminimum 25$ Order |
Purchasing the minimum of the minimum 3d prints | 2009 |
Getting Rid of Cranbrook(Before & After) |
2007 | unofficially used in Mexican shaving banner ad, “Make a Difference” poster, and “Faces of Meth” video. |
A Fictitious Argument Emerges Between Coriolis & Beaufort |
Fans & Flags | 2007 |
Domestic Spacial Turbulence |
2007 |
Tequiladega Nights Poster |
2007 |
Mail Pillow |
2007 |
A Case Study in favor of Global Warming |
New Year’s card for 2007 | 2007 |
Two Non-Fiction Moments |
2007 | True found situations |
How to Photograph a Design Poster |
2006 |
Insecurity Envelopes |
Laser_cut envelopes | 2006 |
Signifficient Type(a type generator) |
Type created by reaching Illustrator’s mathematical limitations | 2006 |
Spamstractions |
Abstract art created from spam images. | 2006 |
Unlignments |
remember when I was gonna create a bot? |
Paulette(folded typeface) |
Typeface created by folding ribbon | 2006 |
Harmen Liemburg Lecture Poster(Harmen Liemburg Lecture Poster) |
2006 |
Justifiably Me |
not all ASCII is created equal | 2006 |
(Business Card & Postcard) |
2006 | Inspired by Japanese spam |
Slitscan(a type generator) |
Letterforms are generated from users’ font collections. | 2006 & 2009 |
Fingerspelling Matchbooks |
Matches in found matchbooks are bent to look like hands. | 2005 | American Sign Language + |
PostBitScriptMapper(a type generator) |
Type generator attempting to turn bitmap fonts into vector typefaces. | 2005 |
The Princess is Not in Another Castle(Hero Shirt: Princess Peach) |
2005 | collab with my mom |
Volumetric Redundancies |
Visualizing the structure and word usage in a given text. | 2001 |
www.from(Where We Went From) |
Visualizing the interconnected nature of websites. | 2001–2006 |
(Homepages I Have Known) |
|
Past website efforts |
(Various scripting) |
Mostly Illustrator scripting, etc. |